Los Angeles Crooked Arrows Theaters

Los Angeles friends, Crooked Arrows opens this Friday in a theater near you. Hope you can go this weekend and help extend our theatrical run! Thanks in advance for your support. Please send a pic and let me know what you think.

Rave 18, LA
Pacific Arclight Beach Cities 16, El Segundo
Rolling Hills 20, Torrance
Long Beach Stadium 26
Burbank Towncenter 6
Winnetka All Stadium 20, Chatsworth
Muvico Thousand Oaks 14
Civic Center 16, Simi Valley
Playhouse 7 Cinemas, Pasadena
Block 30 @ Orange, Orange
Century Stadium 25 Theater, Orange

Crooked Arrows Early Reviews

A compilation of early Crooked Arrows reviews and articles:

 

 

 

 

Boston Examiner interview with me.

Cincinnati.com interview with me.

Syracuse Post-Standard Profile of the movie.

Boston Examiner Review.

Boston Globe Review.

Dallas Morning News Review.

Philadelphia Daily News Review.

Pittsburgh Post-Gazette Review.

Crooked Arrows World Premiere

I’ve never walked the red carpet for one of my own movies. Band Camp had a cast and crew screening at the Academy which was awesome, and I walked the carpet for Meet the Fockers, 13 Ghosts, and a few others, but it was definitely special to share the premiere of Crooked Arrows with my family and friends. I’m not too immodest to say it felt great to stop for photos, do a few interviews, hug the director and producers on the carpet, and celebrate the million-to-one miracle of getting a movie to the screen.

And there is no joy like that of hearing an audience laugh at jokes, cheer for big moments, and go silent when things get serious. I’m proud of this little movie for what it does well cinematically, but more importantly, for the culture and sport it represents.

I’m grateful to Todd Baird for bringing the script into the world, to producers J.Todd Harris, Mitchell Peck, Adam Leiff, and Marc Marcum for hiring me and keeping me on for three years, to my mentor and friend, the director, Steve Rash and his wife Maggie who championed me to rows of patrons in the theater, to our gracious and inclusive editor Danny Saphire, and to composer Brian Rolston. Neal Powless and Ernie Stevens kept it real for me, bringing the truth about Haudenosaunee culture and traditions to the movie, and the entire team at Sports Studio made the lacrosse action as good as any sports imagery you’ll ever see on film.  It was great to hear the LAX Bros cheer amazing shots and big hits, then groan when the characters made mistakes on the field.

Many more thanks go to my wife, Mom and daughter who attended with me, my dad who brought me up in the sports world and tells the great stories of locker room lore, to local friends who attended — Shores, Babcocks, Boyers, Kesselrings, Newells, Folks —  and all of my friends and family near and far who supported the movie and me throughout the writing and production process.

My short set visit only allowed me to meet a few of the actors, but it was great to see the kind, gracious, Brandon Routh again, as well as the beautiful, smart, and ridiculously talented Chelsea Ricketts. I finally got to meet Gil Birmingham and Dennis Ambriz (Crooked Arrow), and was grateful for the opportunity. They have such presence and experience, I’ll have to admit to being a bit intimidated.

The movie releases May 18 in selected cities, then goes wider June 1. Check the website for details of where to go when, and please support this fun, powerful little indie film about a sport and culture in need of recognition and celebration.

Heading West(ish) Again

It was this time last year when I announced that I was leaving L.A. to take a tenure track teaching position at SUNY Oswego in upstate New York.  I remember accepting the offer from the Dean while standing on the second floor balcony of the USC School of Cinematic Arts (Steven Spielberg wing), overlooking a gorgeous courtyard and the dramatic statue of Douglas Fairbanks with his riding crop. It was there, or the demolished building next door, really, where I got my start as a screenwriter, then later, as a professor. It was an emotional time as I thought of leaving paradise, and a difficult decision… plus, I had to get back to class. It was the last day of my Scene Writing class, and also the day we determined which MFA students would pass, need a rewrite, or earn distinction. When one of my friends and colleagues announced my departure and destination to all of the faculty at that meeting, one of them looked at me with confusion and said, “Why?” There were many reasons: family, career, environment, and the belief that it would not impact my writing. Turns out, all of those reasons were well founded and I’ve had an amazing year in every respect.

And yet, I’m moving again.

As the semester wound down at Oswego amidst senior capstones, Oswego Webisodes, advanced students finishing features and intro students completing first acts, I was offered a position at DePaul University’s School of Cinema and Interactive Media in Chicago.  My year at Oswego was fantastic. I made what I hope to be life-long friends and colleagues among the college’s exceptional faculty. I worked with talented and inspiring  students whose dreams are no smaller or less achievable than those of students I taught in L.A.  The Creative Writing and Cinema and Screen Studies programs are the most robust on campus, with amazing faculty and committed administration.  I’m going to miss it. The green, the quiet, the space, the air, and of course, the people.  Yesterday, I packed up my office then spent some time at the shore of Lake Ontario —  a lot has happened this year public and private, almost all within view of that lake, and I had to say goodbye even as I’m about to say dozens of first “hellos.”

DePaul’s CIM program is centered in the Loop campus and the heart of downtown Chicago. It’s a traditional film school, with writing, production and animation programs, offering MFA, BFA and BA degrees.  The faculty and the overall energy there, as well as the possibilities and future plans were impossible for me to ignore. We’ve bought a(nother) house, we plan on (finally) settling down in Chicagoland, and I’m excited to do all I can to help grow an already exceptional program, which has designs on becoming the premier film school in the Midwest, and a close competitor to those on the coasts — including my beloved USC.  Watch out Troy, here we come.

So, thank you again to everyone at SUNY Oswego, especially Amy Shore, Leigh Wilson, Bob O’Connor, Donna Steiner, Brad Korbesmeyer, Jacob Dodd, Josh and Jamie Adams, and department chair, Bennet Schaber.  I’m a Laker for life.

OzWebbies at Oswego

I’m really proud of a new class I’ve been teaching at SUNY Oswego. Technically, it’s called CSS 395 Special Topics: Webisodes, but we refer to it as OzWebbies. I selected 12 students, and we got to work developing, pitching, selecting, writing and producing three original web series.  I believe in the webisode format, not that anyone need make that proclamation anymore, because, it has by anyone’s estimation proven itself viable. For young writers and filmmakers the web series accurately simulates the television writing and production process, but also provides immediate distribution to a worldwide audience — should they make something that’s actually good, and then find a way to make people watch it. So, beyond producing five, six-minute episodes (roughly the length of a sitcom pilot), they are also responsible for using social media and any means at their disposal to build an audience.

I’ve never seen students more invested in a class, working so hard on a “school project.” They believe in what they are doing, and they are doing it well. The three shows, App Holes, Bad Date, and Hansford drew near 2,500 views for their premier episodes last week, and our second week is well on the way to crushing that number.

ImageApp Holes is an office comedy set in a smart phone app development company whose leader is far, far from smart. It’s about crap culture and the people who make it. Find App Holes on twitter, on Facebook, and on YouTube.

ImageBad Date centers on two narcissistic and lonely roommates, who, after failing at love for years (because they are too good for everyone else), set about hooking each other up week after week on, you guessed it — really bad dates. Bad Date on Twitter, Facebook, Youtube.

ImageHansford is part Northern Exposure and part fairy tale. It’s the purposefully odd and surreal story of a drifter who accidentally becomes the official Town Hero of a strange little burg, and finds it harder and harder to escape as the season progresses. Hansford on twitter, Facebook, Youtube.

ImageThe OzWebbies website, features blogs, photos, and weekly behind the scenes documentaries. Ozwebbies also tweets and has its own facebook page. Clearly that’s a ton of links to process, so I suggest the OZwebbies website as the best way to stay up to date on everything in one place.

We could really use your support, your viewership, your retweets, likes, shares and forwards.  We have two episodes to go, and then we put on our live Ozzie Award show where we will play the final episodes of each series before an audience both in person and online, then doll out our awards. Voting online to come. Stay tuned!

Crooked Arrows Release Date Announced

Wow.

I’ve seen two cuts,  I now know the date, but it’s still hard to believe. I’ve been lucky, so lucky, to get four movies produced — but this one will be my first theatrical release and I cannot wait to see it with an audience — especially with family and friends. There is simply nothing like it.

On May 18, 2012, Crooked Arrows hits the big screen in selected cities nationwide, with several premier events coming before that.  The movie is funny, inspirational, and heart-warming, bringing the world of lacrosse and the Native American community together to tell a story about a people and a game we haven’t seen before.   I’m proud to be part of the incredible team that pulled off a miracle in not only getting the movie made, but making it well.

If Crooked Arrows is going to succeed and see multiple weeks in release, it’s vital, crucial, imperative (how emphatically redundant can I be?) that we fill up every screening in every theater nationwide on opening weekend.  If you haven’t yet, please like the movie on facebook, follow it on twitter, sign up for the newsletter on the website, and most importantly, share all of this info with your friends.  We’ll have more details in the coming month, so stay tuned, and keep your calendar open May 18 & 19 so you can officially join the tribe.

Spring Classes

I’m back at work in Oswego teaching three classes this spring, including Intro to  Screenwriting, which I love, as I think one of my strengths is making this complicated style, format and philosophy of writing accessible to newbies.

I’m also teaching a section of Advanced Screenwriting, which I’m really excited about because we’re doing something very different. Last year I had an exercise published in the anthology Now Write Screenwriting, and I’m using that exercise as the basis for this class. Essentially, my students are writing on assignment. I gave them a random actor, location, and genre, and from those parameters they will write a new spec script for me the producer, on assignment. This exercise has led to great success for previous students — but only on a treatment level. Now we will see how it works for a whole script. Students  learn to remove preciousness, experience the work of writing toward someone else’s demands, but also, how to bring themselves — world view, experience, interests, voice — to anything they are asked to produce as a writer. The process will include a pitch, treatment, and first draft. There was a lot of anxiety on assignment night, but they’ve settled in and are quickly coming up with some great stuff.

My third class is a brand new endeavor — teaching webisodes. We’re going to develop twelve original series, select three show runners from those twelve,  then write and produce the winning ideas as original web series. We’re documenting all of the behind the scenes happenings, including classroom work, pitches, project selection, and production. So, it’s a story within a story as we attempt to not only create great content, but build an audience and study the creative process involved in making a show work. It’s gonna rock. The kids are great.

Follow us on twitter at @Ozwebbies, on our webpage, and on facebook. The content is slim now, it will be coming fast and furious very soon.